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Posted February 24, 2016 by admin in Resource
 
 

Catatan Produksi Film The Big Short (2015)


About the Production

Writer and director Adam McKay is best known as the comedy mastermind behind Will Ferrell blockbusters including Step Brothers and Anchorman: The Legend of Ron Burgundy, as well as the Tony Award-nominated Broadway Show “You’re Welcome America.” But five years ago when he read The Big Short: Inside the Doomsday Machine he became fascinated with a farce of a different kind. Intrigued by the mixture of comedy, drama, and outright tragedy in Michael Lewis’ brilliant behind-the-scenes look at the lead-up to the global economic meltdown, McKay yearned to take a break from absurdist comedies and bring The Big Short to the big screen.

“I started reading the book at around 10:30 at night and thought, ‘I’ll just read 40 pages,'” McKay recalls. “I couldn’t put it down. I ended up reading the whole thing that night and finished at six in the morning. The next day I told my wife about the characters and how the book weaves together all these different storylines and how it’s like a ‘get rich’ story that’s ultimately about the fall of the banking system, corruption and complacency, and how it’s funny and it’s heartbreaking at the same time. And she’s like, ‘You should do it.’ And I said, ‘I’m the guy who did Step Brothers.’ I didn’t even look into it, because I just assumed a Scott Rudin or a Plan B had already bought the rights to this book.”

Brad Pitt’s production company, Plan B Entertainment, had in fact partnered with Paramount Pictures to develop The Big Short as a motion picture. Producer Jeremy Kleiner found striking similarities between the author’s approach to baseball and Wall Street within author Michael Lewis’ book Money Ball: The Art of Winning an Unfair Game. “Money Ball and The Big Short both look at familiar subjects that people think they undertand and ask big questions,” says Kleiner. “The Big Short also has this very distinctive element in that the protagonists are not ‘do-gooders.’ We thought all of that was very exciting, so Paramount, our partner, stepped up to acquire the rights. That started the journey for us.”

After McKay finished directing the hit sequel Anchorman 2: The Legend Continues, his agent challenged him to name the movie he most wanted to make. “Before I even knew what I was saying, I told him, ‘If I could do anything, I would do The Big Short.'” Plan B sent McKay an early version of a screenplay written by Charles Randolph. “I saw some good stuff in the script and I also knew exactly how to make it better,” McKay says. “I met with Jeremy and Plan B president Dede Gardner and gave them my pitch.”

The resulting screenplay incorporated McKay’s signature wit into a story about an era-defining moment in recent U.S. history. “People know me from movies like Talladega Nights and Anchorman or the Funny or Die videos, but I’ve always been involved in different causes,” says McKay, who mastered political satire as head writer for “Saturday Night Live” before launching his movie career. “I feel like it’s your job as a citizen to pay attention to what’s going on in politics and society. You can be a clown and get sprayed with seltzer bottles but you’ve also got to vote and know what you’re talking about.”

 

The Outsiders

The book that got McKay and Plan B so excited about making a film about the events leading to the banking crisis comes from the mind of master non-fiction storyteller Michael Lewis. After working at a big Wall Street bank himself in the 1980s, Lewis wrote the bestseller Liar’s Poker, a funny and revealing look at the lucrative and deceptive world of bond trading. The author had no plans for a follow-up until the 2008 financial collapse. “I started reading about how big banks like the one I had worked for lost hundreds of billions of dollars trading in the subprime mortgage-bond market,” Lewis recalls. “The banks had become the dumb money at the table and were losing huge amounts … so I wondered, ‘How does that happen?'”

In search of answers, Lewis met with former investment bankers who’d lost their jobs after the meltdown. “We’d go out for a beer and they’d tell me off the record, ‘The only reason I’m explaining to you why I lost 10 billion dollars on a single trade is that you’re the reason I’m in the business. I read Liar’s Poker and that got me excited to be a Wall Street trader.’ After a few conversations I realized, ‘Jesus Christ, I created this crisis!’ I had a personal stake in these dummies responsible for losing all this money who had been led into the profession by this book I wrote. So then I tried to sort out how these institutions at the heart of capitalism became stupid and did such suicidal things. Banks like Goldman Sachs are filled with extremely bright, well-educated, best-and-brightest types from Harvard, Yale and Princeton.”

But it wasn’t these Ivy League former Masters of the Universe who ended up being the protagonists in Lewis’ book. Instead, he turned his attention to the misfits who defied the prevailing wisdom of banks, government regulators and media pundits and bet everything they had on an unprecedented failure of the American housing market. “I found out about these outsider oddball types on the periphery who figured out just how corrupt the system had become,” he says. “These are the guys that made The Big Short a book and not just a magazine piece. The guys who bet against the banks and made fortunes – those were the characters who interested me.”

 

Smart Money

One of those colorful outsiders was Dr. Michael Burry, a San Jose-based neurologist-turned-money-manager with a glass eye and a penchant for showing up to work barefoot. Oscar-winning actor Christian Bale immediately connected with Burry when they sat down for a marathon, nine-hour getting-to-know-you session prior to production.

“Mike does not interact with other people very much, but he’s one of the most brilliant, heartfelt and sincere men I have ever come across,” says Bale. “Mike studied thousands and thousands of individual mortgages in order to create a pattern. No one else had the energy to do that. Everyone else was having a good time, making lots of money. Nobody wanted to shout, ‘Stop the bus, I want to get off,’ but Michael did. He discovered it was total crap.”

Much like the loner visionary he portrays, Bale did not interact with the other stars of The Big Short. Nearly all of his scenes unfold in front of a computer or in a cluttered rec room where his character blows off steam by playing drums. “I was by myself in an office for two weeks doing my part so when I saw the rest of the film, it was all a revelation,” says the British actor. “I had no idea what was going on, but now I see what Adam has done and it’s bloody entertaining.”

McKay marveled at Bale’s complete immersion in the role. “Burry and Bale share this bond where they’re both just about the work,” says the director. “The amount of focus and detail Christian brings to his character is jaw dropping. The first day of shooting, I saw him dial in that character and boom! He was Michael Burry for the rest of the movie, capturing his rhythms and physicality. About halfway through working with Christian, I asked if he was tired of me saying, ‘Great take.'”

One example of Bale’s laser-like focus was his ability to power through the heavy metal drumming sequence despite a severe knee injury sustained while bouncing on a trampoline with his kids. “Christian kept telling everyone, ‘I’m fine, I’m fine,’ and then you saw his knee and it was gigantic,” McKay recalls. “He tore everything – his ACL, his MCL, his patella, his meniscus, something else I’d never even heard of, so I told him, ‘That’s it – you’re not playing the drums, we’re getting a double.'” But Bale, who had learned to play the drums in just two weeks for the role, insisted on doing the scene himself. “He performs the whole scene, nails it perfectly, then limps off the set afterwards. As far as dealing with pain, it’s one of the most incredible things I’ve ever seen.”

 

The Wall Street Crusader

At the story’s moral center is the rage-filled hedge-fund manager known in the movie as Mark Baum and portrayed by Oscar-nominee Steve Carell. Baum, who runs Morgan Stanley subsidiary FrontPoint, fascinated Carell on multiple levels. “Mark has a very strong moral compass, yet at the same time he’s immersed in the world of Wall Street, so in that way I think he’s tortured,” says the actor. “Mark believes he’s this knight in shining armor, even though there are chinks in that armor. Shorting the housing market starts out as a kind of screw-you to the banks – he’s going to prove these guys wrong. But in the end, what does that victory mean in terms of human collateral? Who is really hurt? Mark is conflicted because he makes a ton of money from the banks that are screwing over ordinary middle-class people. That’s a tough thing for him to resolve.”

Baum’s anger at Wall Street greed is compounded by grief over a painful loss that his wife Cynthia (Marisa Tomei) urges him to acknowledge. “Mark has a visceral connection to this terrible thing that happened and blames himself to a certain extent,” Carell explains. “He wonders, ‘Could I have done something more to avert this tragedy? Has this changed me into someone I don’t like and never wanted to be in the first place?’ There’s a lot of stuff going on inside of Mark Baum.”

Helping Baum in his crusade are the indispensable FrontPoint analysts Danny Moses (Rafe Spall), Porter Collins (Hamish Linklater) and Vinnie Daniel (Jeremy Strong). These sarcastic young Turks help Baum’s cause by crunching numbers, asking tough questions and doing field research. “These guys have lion hearts,” Carell says. “As much fun as they seem to be having, the true work is never far from their minds.”

Pulling back the curtain on Wall Street chicanery, Baum and his proteges emerge as an unlikely crew of brutally honest crusaders. “If Michael Burry is the lone oracle who saw the crash coming before anyone else, the FrontPoint analysts are the street-level guys,” says McKay. ” They joke around, they curse, they’re funny, they’re good guys. And the center of FrontPoint is Mark Baum, the fiery guy who doesn’t trust the system.”

Carell’s performance marks the latest of several collaborations with McKay, whom he first met when they were both performers in Chicago’s Second City improv troupe and later reteamed with in the Anchorman movies. That was before Carell’s Oscar-nominated role as real-life multimillionaire philanthropist-turned-murderer John du Pont in Foxcatcher. “Steve’s always been a great technician with perfect timing but when I saw him in Foxcatcher, I was like ‘Holy crap!'” McKay says. “His performance blew me away.”

Carell brought an unrelenting pursuit of excellence to the role, says the director. “Steve constantly pushed himself, take after take after take. I’d say, ‘That was great,’ and he’d go ‘No, no, no, there’s more there,’ and sure enough, he’d find something deeper. It ended up being a great collaboration.”

Part of that collaboration included real-life money managers. “I met with a few people represented by this character and picked their brains,” Carrel says. “You don’t want to try to do impersonations of someone because that’s really not the point. But you do want to glean an attitude and a way of being that these people have.”

Carell connected instinctively with his character’s realization that the corruption he’s uncovered in the business world extends well beyond Wall Street. “At the end of the film, I think Mark’s a little heartbroken because he sees the depth of the fraud. He sees the lowest type of human interaction and the saddest, shallowest, most self-serving motives and morality in people. You hope for better from your fellow man.”

 

The Honest Opportunist

Slick Deutsche Bank dealmaker Jared Vennett, portrayed by Oscar-nominated actor Ryan Gosling, plays a key role in bringing Mark Baum into the fold of those shorting mortgage-backed bonds. “Michael Burry’s idea confirms Jared’s suspicion that the housing market is just too good to be true,” Gosling says. “It doesn’t take any convincing for Jared to recognize the genius of what Dr. Burry is doing.”

Taunted as “Chicken Little” and “Bubble Boy” by his colleagues, Vennett convinces Baum and company of the unavoidable failure of collateralized debt obligations (CDOs) backed by “tranches” – layers – of subprime home loans to people with bad credit histories and low FICO scores. “Jared uses the Jenga block-stacking game to show Baum and his gang how a CDO is built on this very vulnerable foundation and will inevitably fall. When Jared pulls away a few pieces, the whole thing collapses.”

Vennett sparks a pivotal sequence when he challenges Baum to attend the American Securities Forum in Las Vegas. “Jared essentially tells Mark, ‘Your bet is against dumb money and I want to show you just how dumb that money really is,'” says Gosling. “When he takes the FrontPoint gang to Vegas, they finally see how oblivious and arrogant these money managers are.”

Gosling had the opportunity to meet the real-life Wall Street banker his character is based on. “He was very helpful in terms of helping me to wrap my head around the language and what really happened,” says the actor.

Unlike the film’s other protagonists, Jared Vennett comes across as a smooth-talking Wall Street insider, outfitted in a hairpiece from hairstylist Adruitha Lee and wigmaker Alex Perrone and immaculately dressed in form-fitting suits crafted by costume designer Susan Matheson. Serving double duty as the film’s narrator, Jared at times addresses the audience directly. Gosling sparked to the challenges of using his character’s surface charm to bring clarity to a widely misunderstood story.

“The inspiration that made me want to be part of this film came from the way it treats the audience as smart people,” he says. “So much Wall Street terminology is designed to take advantage of consumers. The way Adam tells this story helps you understand what really happened.”

 

The Colorado Upstarts and the Zen Warrior

The third strand of The Big Short involves fresh-faced money managers known in the film as Jamie Shipley and Charlie Geller, portrayed by Finn Wittrock and John Magaro. “Charlie is neurotic and bookish whereas Jamie is more of an athlete but also incredibly intelligent,” explains Wittrock, best known for his star turn on the hit series “American Horror Story.” “When Jamie and Charlie uncover the housing bubble and run the numbers, they’re both like, ‘Are we crazy or is this for real?'”

To prepare himself for the role of Charlie Geller, Magaro spent time observing Wall Street traders. “My brother works in finance so I visited his hedge fund and did a crash course over there,” Magaro says. “I see Charlie and Jamie as young bucks who function as Everyman characters in the film. They don’t really know what they’re getting into so they figure things out as they go. I imagine a lot of people in the audience will also be learning as they watch the movie.”

Working out of a Colorado garage where they’ve built the $30 million Brownfield Fund from $110,000 of their own money, the young investors enlist ex-banker Ben Rickert (Brad Pitt) to help them secure an ISDA master agreement, which will allow them to bypass brokers and deal directly with the big banks. “Ben is a neurotic doomsday predictor who eats only organic food and is convinced the world is going to end at any moment,” Wittrock observes. “But he still has connections with the banking world that Charlie and Jamie need to short the housing market.”

Doing scenes with two-time Oscar-nominated actor and Oscar-winning producer Pitt was a highlight for the younger actors. “Brad was awesome to work with,” says Wittrock. “He’s so easygoing, and anything you throw his way, he will roll with it. Plus he has this ability to improvise hysterical, laugh-inducing lines even when it’s a phone scene.

Prior to filming, Pitt immersed himself in Ben Rickert’s anti-establishment belief system. “The real guy believes climate change and corrupted economies are destroying natural resources,” McKay notes. “He really does think the world’s going to end in the next 50 or 100 years. Brad ran with that. He has some great improvised scenes where he’s saying ‘Don’t use the Monsanto seeds; you have to have the pure seeds.’ Or you see him in the airport and he’s got a surgical mask on. Brad wanted to dig into that mindset because Ben’s not just some crazy doomsday prepper. He’s a brilliant guy and everything he does is backed up by data, even though the combination of it all seems pretty crazy. That was one of the really fun things for Brad in playing this character.”

 

The Celebrity Explainers

Because The Big Short takes place within an industry riddled with obtuse terminology, McKay knew he needed an entertaining way to clarify some core concepts for the audience. “People need to know this stuff in order to follow the story, but when you first hear phrases like ‘collateralized debt obligation’ or ‘credit default swap,’ they make you feel stupid and bored,” McKay says. “Bankers do everything they can to make these transactions seem really complicated, so we came up with the idea of having celebrities pop up on the screen throughout the movie and explain things directly to the audience.”

The cleverly staged cameos include The Wolf of Wall Street star Margot Robbie demystifying mortgage-backed securities while drinking champagne in a bubble bath, and chef/TV host Anthony Bourdain comparing leftover fish to toxic financial assets.

McKay says he recruited Bourdain for the scene after reading his memoir Kitchen Confidential. “He tells readers that they should not order seafood stew because it’s where cooks put all the crap they couldn’t sell,” says the director. “I thought ‘Oh my God that’s a perfect metaphor for a collateralized debt obligation, where the banks bundle a bunch of bad mortgages and sell it as a triple-A rated financial product.'”

To illustrate the ruinous domino effect triggered by the collapse of so-called “synthetic CDO’s,” McKay paired Selena Gomez with behavioral economist Dr. Richard Thaler in a scene set in a casino. As Thaler expounds upon the idea of “Extrapolation Bias” – the tendency to assume that something that’s happening now will continue to happen – Gomez sits at a blackjack table with a giant stack of chips. “It’s a kind of high-low dynamic where we’ve got Selena playing blackjack as onlookers take side bets on her hand,” says McKay. “It was investors making those kinds of side bets on mortgage-backed securities through CDOs that drove the whole world economy to where it was poised to crash.”

Gomez admits she was surprised to get a call from McKay for The Big Short. “I read the script and didn’t understand most of it, which scared the hell out of me because I do think it’s important to learn about our economic system,” says the young actress and pop superstar. “But after I talked to Adam, it made sense to be part of this movie. I get a chance to use my platform and communicate to people who care about me. My generation is the next generation coming up. It’s important for us to understand what happened.”

 

High-Energy Cinematography

For director of photography Barry Ackroyd, McKay’s dialogue-driven drama offered a change of pace from shooting acclaimed action thrillers like The Hurt Locker, Captain Phillips and United 93. “When Adam approached me about doing The Big Short, he referenced United 93 because there’s a huge amount of action in that film yet it’s also very confined,” says the Oscar-nominated cinematographer. “He and I talked about how to ramp up the energy for scenes of people talking in offices so that we bring the audience into the middle of the conversation. We want you to feel like you’re in the room with the subject, so you listen harder to what’s being said.”

McKay praises Ackroyd’s ability to create that sense through savvy camera placement and movement. “Barry uses this sort of neo-verite technique of shooting, which creates a level of intimacy and urgency within the frame. By contrast, if you shoot with the traditional proscenium frame and three-layer lights, it makes everything look glossy and is more intimidating to the audience.”

Ackroyd collaborated closely with production designer Clayton Hartley and costume designer Matheson, both of whom previously worked with McKay on Tallageda Nights, Step Brothers and Anchorman 2: The Legend Continues. “Barry has this gift for capturing the humanity in these characters, which extended to our other department heads,” says McKay. “One of the biggest challenges throughout the whole movie had to do with making sure our location and settings had a life to them in the way they were shot and designed and that the same was true of the wardrobe, hair and makeup. Everything had to feel alive, with a little bit of a ragged edge to the way scenes were being presented.”

Ackroyd and McKay fostered a relaxed on-set dynamic that gave the actors plenty of room to explore their characters. “Barry did a lot of work with Ken Loach, who is about as actor-friendly as it gets,” observes Gosling. “He’d set up the cameras in the corner of the room with long lenses so the actors could move freely within the space and interact with each other in a very natural way. I think everybody does their best work in that kind of environment.”

 

A Cinematic Page-Turner

With its fresh, irreverent take on one of the most widely covered stories of the century, The Big Short transforms a dark chapter of American history into a riveting cautionary tale shot through with black humor and quirky characters.

Carell hopes the film rattles a few cages. “If I were at a cocktail party and someone asked me what this movie is about, I’d say, ‘Do you remember when subprime mortgages went bust and all these companies went out of business and not one person went to jail? Do you remember that? Do you remember how everything just exploded? And then the government came in and bailed everybody out and everything seemed okay? That’s what this movie is about. It’s a horror movie and way scarier than the way I just described it.'”

McKay envisions The Big Short as a call to action for moviegoers who are fed up with predatory business practices. “This film explores how an entire culture can get caught up in the mania of a corrupt system,” he says. “In my cartoonish fantasy dream, my hope for this movie would be that people get really mad and upset and walk out of the theater and ask their congressman how he’s been voting on banking reform. That would be my dream. My dream would be for everyone to tell their congressmen, ‘If you’re not for breaking up the big banks, I don’t care if you’re right wing or left wing – you don’t get my vote.'”

Activism aside, McKay hopes The Big Short takes audiences on an exhilirating and edifying ride through the astounding world of Wall Street’s shady financial dealings. “It’s strange given the heavy subject matter, but if we’ve done this movie right, The Big Short should be enjoyable as well as eye opening. Michael Lewis writes very entertaining books about very powerful subjects, and they’re real page-turners. In the same way, I hope The Big Short flies by.”

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